I just finished listening to the All Songs Considered podcast from July (yes...July!) where they asked listeners to vote on their top songs and albums of 2009 at that point.
The top 5 songs were:
1. My girls by Animal Collective
2. Two weeks by Grizzly Bear
3. Blood bank by Bon Iver
4. The Rake's song by The Decemberists
5. Zero by Yeah Yeah Yeahs
If you want to see the whole list, go here. The blog also has clips from some of these songs.
I couldn't really argue with the list. I mean, I don't really dig on Animal Collective, but that song was pretty hot. I might've put the Bon Iver song closer to the top and I would've had a Phoenix track or something by Passion Pit in the Top 5 (on the podcast, Liztomania was no. 6 but on the blog it's no. 5).
Anyway...check it out if you're interested.
Friday, October 23, 2009
Monday, October 19, 2009
Mike Doughty at the Duck Room
This is a 'things I love' blog. As such, I don't spend much time dwelling on things that suck. It's just more fun for me, the author, to write about those things that are awesome. And the more fun it is for me to write, the more fun it is for you to read.
That having been said, I have to start out this review by saying that this concert "experience" was the worst I've ever had. There were these guys standing behind me that would. not. shut. up. Seriously...for the entire show, they were either talking really loudly or singing really loudly. And no amount of looks or subtle 'hey...do you mind?' comments would shut them up. They were hell bent on being "those guys" at this show. They were clearly fans of Doughty because they knew all the words to all the songs. Doughty himself even had to ask the audience to 'take it down a level' not once but twice.
The best part of the evening was when the lady next to me lost her shit and yelled at Doughty.
The exchange went something like this:
Lady: Do you ever go to someone's job and take the broom out of their hands?
Doughty: Huh?
Lady (slower): Do you ever go to someone's job and take the broom out of their hands?
Doughty: Uh...no?
Lady: Those guys (pointing behind her) are stealing your broom, Dude.
The guys didn't get booted, but at least her public shaming shut them up for five seconds. I would love to buy this lady a beer. Do you know her?
That having been said, the show was pretty awesome. I think the venue wasn't quite right, but Mike Doughty and Scrap were awesome. It was a "Question Jar" show, which meant that Doughty played acoustic guitar and his only accompaniment was Andrew 'Scrap' Livingston on the cello or bass guitar. It also means that the audience got to submit questions which Doughty and Scrap answered during the course of the evening.
Turns out that Doughty won't play at your wedding, loves cherry sno cones, would go to the 1982 Knoxville World's Fair in a Time Machine, loves Steinbeck, and only sometimes misses the drugs. Also, he's still f***ing that chicken.
The limitations of playing an acoustic set meant that Doughty had to make careful choices about which songs he could tackle. Some of his catalog just doesn't stand up to that kind of limitation. But he did pull out a couple of surprises--top among them was Saint Louise is Listening. He also played a lot of songs you'd expect him to play in a setting like that--Janine, Unsingable name, Madeline and Nine, I Hear the Bells. He pimped the new album, playing about half of it. Standouts included (He's got the) Whole World (in His hands) and (You should be) Doubly (Gratified).
Staying true to his roots, his "fake last song" before the encore was from his Soul Coughing days--Soft Serve--and was, for my money, the highlight of the evening.
I was worried about the Question Jar element of the evening. Stage banter is good, but only if the person doing it is witty enough to make you care. Good singers, it is my experience, aren't always great at banter. It was nice, though, the way that Scrap and Doughty managed to interact and answer questions thoughtfully.
I think the Duck Room wasn't a great venue for this show. I'd never been there before but some frustrated post-show tweets lead me to believe that it isn't a good venue for bands who want the quiet, intimate show that a space that small has the potential to provide. I'm not sure, though, what would've been better. Off Broadway, perhaps? The only thing I know for sure is that I will probably not go back to the Duck Room any time soon.
Overall, a good show. Not a great show, but that was more to do with the venue and the concert goers than the performer.
That having been said, I have to start out this review by saying that this concert "experience" was the worst I've ever had. There were these guys standing behind me that would. not. shut. up. Seriously...for the entire show, they were either talking really loudly or singing really loudly. And no amount of looks or subtle 'hey...do you mind?' comments would shut them up. They were hell bent on being "those guys" at this show. They were clearly fans of Doughty because they knew all the words to all the songs. Doughty himself even had to ask the audience to 'take it down a level' not once but twice.
The best part of the evening was when the lady next to me lost her shit and yelled at Doughty.
The exchange went something like this:
Lady: Do you ever go to someone's job and take the broom out of their hands?
Doughty: Huh?
Lady (slower): Do you ever go to someone's job and take the broom out of their hands?
Doughty: Uh...no?
Lady: Those guys (pointing behind her) are stealing your broom, Dude.
The guys didn't get booted, but at least her public shaming shut them up for five seconds. I would love to buy this lady a beer. Do you know her?
That having been said, the show was pretty awesome. I think the venue wasn't quite right, but Mike Doughty and Scrap were awesome. It was a "Question Jar" show, which meant that Doughty played acoustic guitar and his only accompaniment was Andrew 'Scrap' Livingston on the cello or bass guitar. It also means that the audience got to submit questions which Doughty and Scrap answered during the course of the evening.
Turns out that Doughty won't play at your wedding, loves cherry sno cones, would go to the 1982 Knoxville World's Fair in a Time Machine, loves Steinbeck, and only sometimes misses the drugs. Also, he's still f***ing that chicken.
The limitations of playing an acoustic set meant that Doughty had to make careful choices about which songs he could tackle. Some of his catalog just doesn't stand up to that kind of limitation. But he did pull out a couple of surprises--top among them was Saint Louise is Listening. He also played a lot of songs you'd expect him to play in a setting like that--Janine, Unsingable name, Madeline and Nine, I Hear the Bells. He pimped the new album, playing about half of it. Standouts included (He's got the) Whole World (in His hands) and (You should be) Doubly (Gratified).
Staying true to his roots, his "fake last song" before the encore was from his Soul Coughing days--Soft Serve--and was, for my money, the highlight of the evening.
I was worried about the Question Jar element of the evening. Stage banter is good, but only if the person doing it is witty enough to make you care. Good singers, it is my experience, aren't always great at banter. It was nice, though, the way that Scrap and Doughty managed to interact and answer questions thoughtfully.
I think the Duck Room wasn't a great venue for this show. I'd never been there before but some frustrated post-show tweets lead me to believe that it isn't a good venue for bands who want the quiet, intimate show that a space that small has the potential to provide. I'm not sure, though, what would've been better. Off Broadway, perhaps? The only thing I know for sure is that I will probably not go back to the Duck Room any time soon.
Overall, a good show. Not a great show, but that was more to do with the venue and the concert goers than the performer.
Tuesday, October 13, 2009
Erin McKeown's Hundreds of Lions
Erin McKeown's new album, Hundreds of Lions, is something I've been anticipating for a while. Recorded without support from a major label on the front end, this is McKeown's first album of original music since 2005's We Will Become Like Birds and her first collaboration with Ani DiFranco's label, Righteous Babe.
One thing I really appreciate about McKeown as an artist is her capacity to challenge me as a listener. Her new album, Hundreds of Lions, is no exception. The creative freedom that comes from not having having major label support is evident from all of the risks that McKeown takes. And I, for one, dig it.
Always lyrically nimble, McKeown spends a lot of this album experimenting sonically. The first time through, the rich arrangements threw me. Strings, a drum machine, and birds all serve as accompaniment on tracks throughout the album.
Even with a more complex sound, McKeown is very meticulous in making sure that nothing is extraneous. And after a second listen, I could see that every instrument added a necessary layer of richness and depth to songs with inspired lyrics.
McKeown seems to have found a comfortable home among the songs she covered on Sing You Sinners. Though original tunes, standouts like To a Hammer, The Lions, and The Rascals all could've been covers of long-ago written standards. And McKeown shines when she's playing witty, carefully crafted songs with a vintage feel.
For my money, though, the best track is You, Sailor. Previously released on McKeown's live album, Lafayette, the studio version takes an already beautiful song and breathes new life into it.
It may take you more than one listen to crack through its shell, but I assure you that Hundreds of Lions is worth the work.
One thing I really appreciate about McKeown as an artist is her capacity to challenge me as a listener. Her new album, Hundreds of Lions, is no exception. The creative freedom that comes from not having having major label support is evident from all of the risks that McKeown takes. And I, for one, dig it.
Always lyrically nimble, McKeown spends a lot of this album experimenting sonically. The first time through, the rich arrangements threw me. Strings, a drum machine, and birds all serve as accompaniment on tracks throughout the album.
Even with a more complex sound, McKeown is very meticulous in making sure that nothing is extraneous. And after a second listen, I could see that every instrument added a necessary layer of richness and depth to songs with inspired lyrics.
McKeown seems to have found a comfortable home among the songs she covered on Sing You Sinners. Though original tunes, standouts like To a Hammer, The Lions, and The Rascals all could've been covers of long-ago written standards. And McKeown shines when she's playing witty, carefully crafted songs with a vintage feel.
For my money, though, the best track is You, Sailor. Previously released on McKeown's live album, Lafayette, the studio version takes an already beautiful song and breathes new life into it.
It may take you more than one listen to crack through its shell, but I assure you that Hundreds of Lions is worth the work.
Thursday, October 8, 2009
Best music of Aught Nine...so far?
For the past couple of years, The Dude and I have done a "best music of the year" list. And every year, December rolls around and I feel like there's so much music I haven't listened to.
So let me break it down for you.
So far, I've enjoyed:
Grand--Matt&Kim
Fantasies--Metric
Sad Man Happy Man--Mike Doughty
Wolfgang Amadeus Phoenix--Phoenix
It's frightening--White Rabbits
Manners--Passion Pit
October's new releases that I'm excited about:
Hundreds of Lions--Erin McKeown
Sainthood--Tegan and Sara
So here's the question: What have you loved that isn't on this list?
Leave a comment and fill me in.
So let me break it down for you.
So far, I've enjoyed:
Grand--Matt&Kim
Fantasies--Metric
Sad Man Happy Man--Mike Doughty
Wolfgang Amadeus Phoenix--Phoenix
It's frightening--White Rabbits
Manners--Passion Pit
October's new releases that I'm excited about:
Hundreds of Lions--Erin McKeown
Sainthood--Tegan and Sara
So here's the question: What have you loved that isn't on this list?
Leave a comment and fill me in.
Thursday, September 24, 2009
Music for running
I am constantly trying to craft the best playlist to run to. See...I don't like running very much.
Well, that's not entirely true.
I do enjoy the feeling of accomplishment I feel when I finish and run. And I like how running makes the numbers on the scale get smaller.
But when I run, I get bored. I am not one of those people who goes to some blissful, zen place when they run. I don't think through problems. I don't think *anything* beyond how quickly I want to be done running.
So I need music that is both upbeat and lyrically interesting so that I distract myself from how bored I am and focus on being in the moment.
My newest playlist:
Lisztomania--Phoenix
Daylight--Matt&Kim
Absolutely Still--BTE
Little Secrets--Passion Pit
Yeah Yeah--Matt&Kim
Sick Muse--Metric
Satellite Skin--Modest Mouse
Lasso--Phoenix
Good Ol'Fashioned Nightmare--Matt&Kim
Gold Guns Girls--Metric
Golden Age--TV on the Radio
Off That--Jay-Z feat. Jimmy (well..Drake--I refuse to call him that, though)
All in--BTE
I am going to take this for a test drive tonight and see how it works.
Well, that's not entirely true.
I do enjoy the feeling of accomplishment I feel when I finish and run. And I like how running makes the numbers on the scale get smaller.
But when I run, I get bored. I am not one of those people who goes to some blissful, zen place when they run. I don't think through problems. I don't think *anything* beyond how quickly I want to be done running.
So I need music that is both upbeat and lyrically interesting so that I distract myself from how bored I am and focus on being in the moment.
My newest playlist:
Lisztomania--Phoenix
Daylight--Matt&Kim
Absolutely Still--BTE
Little Secrets--Passion Pit
Yeah Yeah--Matt&Kim
Sick Muse--Metric
Satellite Skin--Modest Mouse
Lasso--Phoenix
Good Ol'Fashioned Nightmare--Matt&Kim
Gold Guns Girls--Metric
Golden Age--TV on the Radio
Off That--Jay-Z feat. Jimmy (well..Drake--I refuse to call him that, though)
All in--BTE
I am going to take this for a test drive tonight and see how it works.
Monday, August 24, 2009
Matt and Kim: Heroes of New Sincerity
Okay, so there's this phenomenon known as "New Sincerity."
Basically, New Sincerity thumbs its nose at postmodern cynicism. It's an oversimplified explanation, but it'll do. Most notably, New Sincerity has been linked to Jesse Thorn's show The Sound of Young America. Heroes of the New Sincerity include Dolly Parton, Willie Nelson, and Shaq.
I went to see the band Matt and Kim last night, and walked away believing that they, too, could be considered Heroes of the New Sincerity. Two musicians from Brooklyn, Matt and Kim seemed to be having the time of their lives as they danced, handclapped, and crowd surfed their way through their hour-long set.
If you've heard the Bacardi ad that features the song 'Daylight,' you've heard Matt and Kim. And though their second album is way more polished than their first, the song clip in the ad gives you the basic idea of who they are.
The set was tight and featured a ton of songs while, at the same time, making room for banter that rivals that of Banter Queens Tegan and Sara. Highlights included the aforementioned Daylight as well as Kim singing on Lessons Learned, a song they debuted at last night's show.
The band seemed genuinely overwhelmed that they had such a large crowd (300+) show up for the show. They made every effort to keep it clean for the kidlets in the audience (as an aside: who takes elementary aged kids to an all-ages show on a school night? Matt and Kim didn't even go on until 10!) and they put themselves on risers on the stage so that people in the back of the club could see them.
The show ended with an impromptu dance party and the band sticking around to take pictures with the horde of starstruck fans.
At first, I couldn't imagine that Matt and Kim were sincere. They were so...happy. And energetic. I was sure this was an indie rock joke that I just didn't get. I was sure that they were jaded hipsters who would reveal their true selves before the set was over. The thing is, as the set went on I grew more confident that they really were sincere. They just really love playing music and they love the fans who come to their show.
So, in conclusion, Matt and Kim are awesome. And heroes of the New Sincerity.
Basically, New Sincerity thumbs its nose at postmodern cynicism. It's an oversimplified explanation, but it'll do. Most notably, New Sincerity has been linked to Jesse Thorn's show The Sound of Young America. Heroes of the New Sincerity include Dolly Parton, Willie Nelson, and Shaq.
I went to see the band Matt and Kim last night, and walked away believing that they, too, could be considered Heroes of the New Sincerity. Two musicians from Brooklyn, Matt and Kim seemed to be having the time of their lives as they danced, handclapped, and crowd surfed their way through their hour-long set.
If you've heard the Bacardi ad that features the song 'Daylight,' you've heard Matt and Kim. And though their second album is way more polished than their first, the song clip in the ad gives you the basic idea of who they are.
The set was tight and featured a ton of songs while, at the same time, making room for banter that rivals that of Banter Queens Tegan and Sara. Highlights included the aforementioned Daylight as well as Kim singing on Lessons Learned, a song they debuted at last night's show.
The band seemed genuinely overwhelmed that they had such a large crowd (300+) show up for the show. They made every effort to keep it clean for the kidlets in the audience (as an aside: who takes elementary aged kids to an all-ages show on a school night? Matt and Kim didn't even go on until 10!) and they put themselves on risers on the stage so that people in the back of the club could see them.
The show ended with an impromptu dance party and the band sticking around to take pictures with the horde of starstruck fans.
At first, I couldn't imagine that Matt and Kim were sincere. They were so...happy. And energetic. I was sure this was an indie rock joke that I just didn't get. I was sure that they were jaded hipsters who would reveal their true selves before the set was over. The thing is, as the set went on I grew more confident that they really were sincere. They just really love playing music and they love the fans who come to their show.
So, in conclusion, Matt and Kim are awesome. And heroes of the New Sincerity.
Thursday, August 13, 2009
Flipping the script
One of my friends is feeling frustrated about something in her life. She is feeling this intense feeling of being stuck in a situation that she doesn't like and isn't sure how to change it.
Before we go any further, this isn't one of those stories where "My friend is" is actually code for "I am."
She wrote an email to a group of her friends that laid out all of things about this situation that frustrate her. Then she wrote another email that flipped the script, so to speak, and set out some short term (1-2 years) and long term (2-4 years) goals as well as what she ultimately wanted the situation to look like.
I was struck by how simple this re-framing was and yet how brilliant.
How often do I feel like a situation is both sucktastic and beyond my control? A lot. How often do I see how a situation can be changed and what I can do to change it? Not often.
As a related matter, in a meeting yesterday, a colleague spoke at length about "outcomes assessment" in which she discussed the concept of writing outcomes.
Outcomes, she stated, are desired changes in behavior, attitude, or skills.
The formula she presented for writing an outcome:
Verb/action phrase + "in order to" + Why = Outcome
An example:
Complete couch to 5K program in order to successfully run 3 miles.
So what do these two ideas have to do with one another?
I sometimes feel like I choose to believe that a situation is beyond my control instead of looking for ways I can change it. The next time I feel frustrated at how stuck I feel, I need to stop and consider what I want the situation to ultimately look like (using my handy-dandy outcome-writing skill) and then set short and long-term goals to get from where I am now to where I want to be.
What do you wish was different? How can you work to change it?
Before we go any further, this isn't one of those stories where "My friend is" is actually code for "I am."
She wrote an email to a group of her friends that laid out all of things about this situation that frustrate her. Then she wrote another email that flipped the script, so to speak, and set out some short term (1-2 years) and long term (2-4 years) goals as well as what she ultimately wanted the situation to look like.
I was struck by how simple this re-framing was and yet how brilliant.
How often do I feel like a situation is both sucktastic and beyond my control? A lot. How often do I see how a situation can be changed and what I can do to change it? Not often.
As a related matter, in a meeting yesterday, a colleague spoke at length about "outcomes assessment" in which she discussed the concept of writing outcomes.
Outcomes, she stated, are desired changes in behavior, attitude, or skills.
The formula she presented for writing an outcome:
Verb/action phrase + "in order to" + Why = Outcome
An example:
Complete couch to 5K program in order to successfully run 3 miles.
So what do these two ideas have to do with one another?
I sometimes feel like I choose to believe that a situation is beyond my control instead of looking for ways I can change it. The next time I feel frustrated at how stuck I feel, I need to stop and consider what I want the situation to ultimately look like (using my handy-dandy outcome-writing skill) and then set short and long-term goals to get from where I am now to where I want to be.
What do you wish was different? How can you work to change it?
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